"The Rime of the Ancient Mariner" (originally "The Rime of the Ancyent Marinere") is the longest major poem by the English poet Samuel Taylor Coleridge, written in 1797–98 and published in 1798 in the first edition of Lyrical Ballads. Some modern editions use a revised version printed in 1817 that featured a gloss. Along with other poems in Lyrical Ballads, it is often considered a signal shift to modern poetry and the beginning of British Romantic literature. The Rime of the Ancient Mariner recounts the experiences of a sailor who has returned from a long sea voyage. The mariner stops a man who is on his way to a wedding ceremony and begins to narrate a story. The wedding-guest's reaction turns from bemusement to impatience to fear to fascination as the mariner's story progresses, as can be seen in the language style: Coleridge uses narrative techniques such as personification and repetition to create a sense of danger, the supernatural, or serenity, depending on the mood in different parts of the poem.

In Edgar Rice Burroughs's Lost on Venus, Carson Napier, a Californian, finds himself on the mysterious planet Venus, where he encounters a variety of hostile civilizations who don't believe his story about Earth. Accused of being a spy, Napier must fight for his survival while trying to find a way back home.

 
“Daimones Trilogy.” “A story that is compelling and offers a glimpse into a realistic world that soon becomes something more. The elements of the plot allow the reader to explore human condition as well as a paranormal existence. The story offers a consistent flow, continuity in scene purpose, and progression of events. The characters are well developed and Dan is a solid, yet complex, main character that anchors the story.”

This story belongs with many other thrillers and mysteries that Alcott published under the pseudonym A. M. Barnard. Of all her stories of femme fatales, Behind a Mask is considered Alcott's masterpiece in the genre of sensation fiction. Critic Christine Doyle Francis describes the novel as "ow[ing] most to Alcott's reading of Charlotte Bronte's Jane Eyre and William Thackery's Vanity Fair. In this light, Jean Muir becomes a subversion of the classic governess character in protest to the British class system and in praise of America as a "land of opportunity".

The Alchemist is a comedy by English playwright Ben Jonson. First performed in 1610 by the King's Men, it is generally considered Jonson's best and most characteristic comedy; Samuel Taylor Coleridge believed that it had one of the three most perfect plots in literature. The play's clever fulfilment of the classical unities and vivid depiction of human folly have made it one of the few Renaissance plays (except the works of Shakespeare) with a continuing life on stage, apart from a period of neglect during the Victorian era.